1 a plan or drawing produced to show the look and function or workings of a building, garment, or other object before it is built or madeverb
2 purpose, planning, or intention that exists or is thought to exist behind an action, fact, or material object
1 decide upon the look and functioning of (a building, garment, or other object), typically by making a detailed drawing of it
2 do or plan (something) with a specific purpose or intention in mind
Tuesday, September 16, 2008
Tuesday, September 2, 2008
My work, of late, has been more abstract interpretation of the persona rather than purely abstract creation. This piece, entitled submission, was inspired by a recent trip to Lake Del Valle in Livermore, CA.
I've entered it into an art competition and they called to ask if the actual name of the piece was "submission" or if it was my submission. I love the irony. The term submission here is entitled for the purpose of conveying a giving up of control. Like nature, the term embodies the concept of letting energy flow rather than keeping it welled up inside ourselves. Which is entirely appropriate as an inspiration from this man made lake.
What's next? I'm back to persona interpretation. I've got a model lined up and she is incredibly interesting. It should be exciting to see how this next series turns out. Whatever the result, I'll be showcasing it at the upcoming Livermore Artwalk on October 11th.
Thursday, August 14, 2008
Sunday, July 20, 2008
You can find out more about Todd's situaion on the SLR website but suffice it to say that he is the producer of outdoor enthusiast shows and is the victim of a traumatic brain injury after a piece of equipment fell on him during the tear down phase of the show. I caught a Tweet by Laughing Squid that artists were coming together to raise money for his recovery. Due to an error there is no insurance coverage for Todd's accident and thus his colleagues, friends and family are rallying around him to raise funds for his rehabilitation.
I don't know Todd but if I were the victim of such a life altering injury I surely would want humanity to rally around my recovery. So I'm contributing.
The Wall is a collective kinetic sculpture consisting of a series of artistically enhanced gears. The idea is that once Todd's recovery is complete he will be able to crank the gears. Each artist has committed to raise $500 for their gear contribution. Below you can follow along the creative process of my gear's birth.
In an earlier post I shared a photo of the raw gear:
As you can see, the gear consists of an aluminum gear with pre-drilled and threaded holes. Thus to make the gear three-dimensional, one can insert threaded rod into the holes. Here I am at the hardware store picking out threaded rod:
The question then became, "What should the rods support?"
I wanted my design to represent Todd, his recovery and the means by which support was rallying around his cause. No small order with such a small gear and a maximum depth of 12" that 3-dimensional objects can protrude from the gear. I was also unsure how much space I could protrude out to the sides of the gear so I played it safe and kept the design within the width of the gear.
Unfortunately I wasn't able to bring integrity back to my studio before beginning this project (aftermath of the Hidden Bog Garden):
I then welded the following metaphorical objects to the rods:
- Three spheres to represent the Body, Spirit and Mind of Todd.
- Three flowers to represent the artists that are coming together in his support.
- A "T" to represent Todd's Spirit which exists in a completely healthy state outside of his Body.
I was now ready to add color to the piece. My daughter Téa stayed up in the studio with me and acted as my color consultant for the various pieces of the sculpture:
I'm very pleased with the color of "Todd" which is designed to change over time. Represented here is the "pre" evolution of the color in which it will be introduced to the kinetic sculpture today. However, by design, I have infused a highly corrosive acid into the pores of the metal to create this affect. Over time, the acid will continue to eat away at the steel and produce a deep, mottled rust. The rust that erupts from "Todd" represents the sickness within him that will leave his Body.
The three spheres, representing Todd's Body, Spirit and Mind, represent Todd in a completely healed state with his Body (rising higher than the Spirit and the Mind) in a state of complete health:
This picture shows a close-up of the flowers (which represent the artists of The Wall) and the connecting bonds that extend from Todd's Body to the Spirit and Mind of God. The Body, Spirit and Mind of God are supporting Todd and are directly connected to Todd's Body and the "T" which represents a complete and healthy Todd.
And thus we have the completed sculpture which will be added to the kinetic sculpture in San Francisco this afternoon:
Ready to donate?
Thursday, June 26, 2008
I built my first bog garden in Southern California and it turned out great. However before it could really take off we moved to Northern California. The good news is that my new home had a perfect place in the side yard to build a bog garden that would not only contain the bog but also serve as a nice focal point in the yard. However along the way in building the blog my wife introduced a new wrinkle when she said, "That would be a perfect place for a fountain."
As such, I've designed and built a fountain that sits within a bog garden. I'm no expert on these types of designs but I believe this brings a number of advantages:
- Overfill and Overspray - the beauty of a fountain within the center of a bog is that any overspray from the fountain or slight overfilling will simply go into the bog.
- Irrigation - even though I'm in Northern California, my particular region is rather dry and I have to irrigate my bog to keep it moist. Thus I was already running irrigation to the bog so to spit the line to fill the fountain wasn't much more work.
- Sound - in addition to the cool plants you can grow in a bog I like the added mistique of the sound of water flowing in a fountain.
One of the interesting design aspects of a bog garden is that your ground over (e.g. bark or rocks) can blend in seamlessly with the ground surrounding the bog. When complete this hides the boundaries of the bog and no one will even know that there is a bog garden there (other than the different style of plants that grow within). Thus the bog can make people ask, "How is it possible that those plants are growing in regular soil?"
Forming the Bog
In this I dug out the bog garden perimeter by removing 2 feet of soil (2.5' is recommended but I live in a clay soil area and there is a limit to how much digging and hauling of compact heavy soil I'll do). In the center of the bog I dug rectangular shovel wide trench 6" deeper where the fountain basin would sit. My main reason for doing this is to anchor the resulting concrete basin in place.
When finished the top of the fountain basin will be flush with the ground. This is keeping with my design that everything is below ground and one can't tell where the bog or fountain begins or ends. The nice thing about this approach is that you don't have to be an expert mason when building and pouring your fountain basin. I then cut plywood planks to frame the outside of the basin and another box for the inside.
What you're doing at this stage is building a form for the concrete to rest in while it cures. Wet concrete has the consistency of oatmeal that has set out for too long. It is moist enough that it will form itself into any form it is placed but it isn't wet enough that it seeps out of small cracks or holes. Thus the goal here is to build a temporary form for the concrete to sit in until it is hard enough to remove the form.
Visually imagine that you're building a box with no top or bottom. One box for the outside walls and another smaller box for the inside walls. The important trick here is to build the frame so that it can be pulled apart after the concrete dries/cures. Once the concrete hardens you won't be able to get to anything covered by the concrete (e.g. screws or nails). So build your frame with an awareness of how you'll pull it off of the form once the concrete hardens.
I then covered the entire bog with a pond liner. This is clearly the most expensive single construction material you'll purchase for this project. Stop by your local hardware supply store and see what sizes and prices they have for pond liners before designing your bog garden. You can glue multiple pond liners together for particularly large or odd shaped bog gardens (even though bog gardens do naturally drain into the underlying soil via holes placed in the liner you must glue overlapping seams or too much water will escape).
Pouring the Basin
The next step was to set the outer frame in place and pour in the foundation for the basin. The design for my fountain involves automatic filling (I tied mine into my irrigation) and the water exiting the basin via a 3/4" pipe. As such I designed my frame form with openings for these two pipes so that all of the water management was underground within the concrete basin itself. I used regular concrete but if I were to do this project again I would mix in a small portion of plastic cement into the mix for better water retention.
After pouring the foundation (8" deep) I inserted the inner frame and started pouring the side walls. The walls of my fountain basin are about 8" wide which had more to do with erring on the side of simple frame construction rather than any hard facts about how thick the walls need to be. Make sure to get enough concrete to do the job because those short trips to pick up a few more bags of concrete can present leaking problems where a new pour is placed over an existing.
Once the concrete basin cured I removed the frames and tied in PVC tubing to the exit pipe via a T connection. From this I ran 3/4" PVC pipe around the basin and tied it back into the other end of the T connection (a single continuous loop). At various points along the route I installed additional T connections with threaded openings pointing up. These threaded connections hold the copper tubing in which the water will flow out of the fountain. Similarly I connected the other PVC pipe to my irrigation system.
Building the Fountain
My aim was to build a whimsical fountain consisting of copper tubes that took water from the underground basin up and through multiple pipes poured the water back into the basin. I knew that if I simply took copper tubing and ran water through it that the sound would be too loud and it wouldn't be much fun. And I wanted the design to have a purpose for existing in a garden.
I started with 1/2" copper pipe and started by soldering threaded connections onto one end and a cap onto the other.
Each 10' copper pipe was then free form bent into random designs using a pipe bender. You can get a pipe bender at your local hardware store. Make sure to get one for the diameter of pipe you're bending as this will give you a much smoother curve with fewer bends (e.g. if you applied pressure to two ends of the pipe you would simply bend it rather than forming a curve).
If you don't know how or have access to someone who can weld copper then you'll want to skip the next step. Someone skilled at brazing might be able to make the connections but if you don't succeed you'll have holes in your tubing that under pressure will squirt water where you don't want it to go (e.g. across your yard).
I then drilled holes into the pipe and welded on a small diameter copper tubing. This tubing is available from your local hardware supply store. You'll recognize it as the copper tubing that runs to your water inlet on a refrigerator ice machine. The flexible nature of this copper tubing allows you to move, twist and contort it into a variety of positions for a cool look and to direct the water where you want it to land.
After building each fountain piece (I built three in the shape of plants with a large daddy, medium mommy and small baby) I carefully turned them into the threaded PVC "T" connections and supported each one by hammering in rebar and wrapping copper wire around the pipe. The PVC threads are easily damaged by the harder copper threads so be really careful when screwing them in.
Once the fountain pieces were secured and plumbed it was time to start filling in the blog. I chose a mixture of peat moss, top soil and sand.
About 2/3 of the way in filling in the bog I snaked a soaker hose throughout the blog after attaching it to my irrigation inlet. This will soak the blog slowly each time I turn on the irrigation for the pond/bog valve.
Once the fill for the bog was complete I topped the surface with bark to match the surrounding garden. You can also see my first bog plant behind the fountain.
Part II of this post will include adding decorative rock around and in the bog to finish off the illusion of a hidden bog and fountain.
Wednesday, June 25, 2008
I'm now starting to formulate ideas about what to do with my gear contribution. Each gear will be incorporated into a moving kinetic sculpture. The hope is that our fundraising will help with Todd's recovery and that one day he'll be able to crank the sculpture on his own.
I should add that I don't know Todd nor have I any relationship to the organization he works with. I discovered his situation upon viewing a Laughing Squid Tweet and committed myself to the cause after hearing his story.
So let me know your ideas for the gear! What do you think I should to to it? I know that I'll be grinding/polishing off the black paint and can make it 3-dimensional by inserting threaded rod into the pre-drilled and pre-threaded holes in the gear. But what I weld onto those rods is still up in the air.
Monday, June 23, 2008
I've fitted my "studio" out with a workbench running along the West facing wall complete with a drop in miter saw and dry cut saw as well as a brake press and drill press. The design for this workbench can be found in Family Handyman Magazine. The combination of tools installed on my workbench allows me to cut, bend and drill almost any wood or metal object without getting out any tools. Since both saws are dropped into the bench all I have to do is slide the object into place and make my cut.
Not shown here is a vacuum system which is plumbed to both saws from underneath the workbench (the end of this vacuum line goes to an air intake vent built into the end of the workbench on the floor for a high school shop class style vacuum system for sweeping in debris). The vacuum system captures the wood dust that is kicked up when you make a cut. I'm not sure it does much good underneath my dry cut saw (for cutting metal like butter) but I dropped a line there too.
At the end of the bay I had the builder pre-install 220v electrical outlets for my MIG welder and compressor. They're on separate circuits so I could upgrade to plasma in the future (requires forced air and welding at the same time).
Not shown here is my 4' x 4' workbench on casters affixed with a 1/4" steel top. Using this mobile workbench I can move my work surface to wherever I'm at to work on a project. Since it is on wheels I can even wheel it out into the driveway if I need to work on an outdoor project or weld something that puts out noxious fumes (such as welding steel and copper together using Aluminum Bronze filler metal with an Argon Shielding Gas).
The storage shelves in the center of the bay also house an old Macintosh that I use for our family's music archive. Instead of everyone maintaining their own iTunes repository of music, everyone's Mac is setup to look at this studio Mac Server for the iTunes files.
Word to the wise: when building your house run coax and ethernet lines to your workshop. It only costs a couple of bucks when the walls are exposed but provides you with a lot of options when you're bringing entertainment to your studio. I'm able to listen to my entire music library while working in the garage with this configuration.
The floor is regular concrete sprayed with two (brown and black) acid stains and sealed with a concrete sealant (the floor is wet in the photos, not normally this shiny). I've also attached concrete board to the lower half of the walls. The combination of the patina floor and concrete walls makes for a perfect workspace if you weld, grind and cut. Any hot embers that burn into the floor (doesn't look great on an epoxy floor) simply adds to the design and is not noticeable. Also the concrete boards along the baseboards act as quasi fire protection.
I should add that this is a working studio/workshop and it normally isn't this neat and tidy. I took these photos during a cleanup day while everything was out in the driveway. However with the storage that I've put on the West wall and the pegboard on the East wall (it has a faux stainless steel finish that look great atop the concrete boards below) everything has a home.
The cutout areas for the cars to park have an epoxy floor (no welding here) and non-slip safety tape (available at Grainger) border.
Friday, June 6, 2008
Todd suffered a traumatic brain injury (TBI) and his recovery time is going to be long and unpredictable. SRL's liability insurance provided by Robodock has seemingly been denied and Alex and Todd need help to survive financially through this next chapter of their recovery.
A fundraiser has been created to raise $20,000 for Todd's care and rehabilitation. Artists from around the world have been invited to create a kinetic sculpture consisting of a series of gears designed by the artists. I have committed a gear and in doing so am asking my friends and colleagues to make any size donation they can to help with this cause.
You can find out more about Todd Blair and this cause at the SRL website. I will post the production process of my gear here on my website.
Ready to donate?
Friday, May 30, 2008
meg spirits available directly from artist
33.5" x 33.5" in Copper
Artist Note: This is one of my favorite all time pieces. There is a lot going on in this piece (see below) and that is what inspires me the most. There is something spiritual that occurs when I create my art and the fact that several "spirits" have been captured in piece unintentionally makes it all the more interesting.
I met the model at a gallery exhibition and she offered to model for me. I very much had her in mind when I created this piece back in the gallery with only photographs from the photo shoot to draw from. It wasn't until after the piece was finished and hung on the wall that my daughter pointed out to me the spirits that were lurking in the piece. Upon closer inspection we found several which I've outlined below.
|When you produce abstract art in this medium you can't help but wonder how much the spirit inspires and drives your work. Meg Spirits, in particular, has hidden pockets of wonder that weren't purposely put into the work. So it makes me wonder, "How did they get in there?"|
|Do you see the nude angel? Her breasts can be seen halfway down in the image and the outline of her legs pressed together. |
I say angel because I see a burst of light coming from behind her which could be interpreted as wings. However with the other characters that show up in this piece I'm not sure she's entirely angelic in demeanor.
She appears in the upper right hand of the painting.
|Probably the most ominous figures in this piece, there appears to be a ghoul lurking behind a tear in the painting. |
In the middle of the shot, look for two eyes, the nose and a large mouth appearing from a cocked head. He appears to be looking out from within the painting.
Wearing a black coat and white shirt, he appears in the lower right hand corner of the piece.
|One of the largest artifacts in Meg Spirit, this star appears 1/3 up the right side of the painting just below the purple band of color. |
If you see the model laying down in this piece, then this appears to be a tattoo on her thigh just below her panty line.
|Hiding halfway up on the left side of the painting, this blank staring face peeks out from the torso of the model. |
There are many more faces like this in the painting that you'll find upon closer inspection. Most of them don't photograph well so I haven't included them here.
Interestingly enough, all of the ominous characters protrude from the body of the model and all of the angelic imagery surrounds her.